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click here Sadly, the film’s assault on black culture is best shown through its black characters, whose main purpose is to serve its self-proclaimed “white Precious.” From the black spectators who watch the rap battle in awe to the dubious cameo of female rap legend MC Lyte in the role of a helpful disc jockey, Patti comes into her own with ease, thanks to the colored folks’ stamp of approval.
Patti’s most devoted servant is aptly named Basterd, played by Can You Take Buspar To Get High . If you want to take care of your health. Buy Valtrex Generic Online Stop Searching About Best pill. Get NOW! Mamoudou Athie. A socially awkward rock musician who conveniently has all the equipment and insight that Patti needs to create music, Basterd not only allows her to coax him into working for her, he falls in love with her; consequently, producing one of the most awkward romances ever portrayed on film.
What’s more bruising to the black male image than tying it to the courtship of an unattractive white female is knowing that not even the pizza parlor thug finds her desirable.
There’s more underhanded defaming to experience in this predictable film. Siddharth Dhananjay, who plays Patti’s Indian best friend Jheri, spends most of his screen time acting as if he grew up in the hood, when he clearly didn’t.
Alcoholism and drug abuse, shown through Patti’s mom and grandma, played by Bridget Everett and Cathy Moriarty, are exploited for comedic relief instead of being explored for the devastation they’ve afflicted on the family.
The lone black rapper in the film, Patti’s idol O-Z, played by Sahr Ngaujah, is a pompous, sexist clown— probably the only depiction the film gets right.
Though the O-Z character exists in the film, that doesn’t give it any merit. Over time, commercialization has chipped away at hip-hop’s position as a voice for disenfranchised minority youth. By framing itself on what hip-hop has become, “Patti Cake$” further proves greater American society’s lack of respect towards the genre’s origins.