The most real moment of “ Purchase Viagra Canada How Can I Buy Diflucan. RxGood: Friendly customer support, 24h online support. #1 Top OnlineShop. Order Tabs Online Without Prescription. Without Script enter site - no prescription needed, order Sildenafil (viagra) with discount 15% - low prices for all ED pills, support 245, generic | instock🔥 |. It solves the problem for you quickly. follow ,Available with free Delivery & overnight shipping!. Check More » follow Buy Betnovate Online. Betnovate is an active topical corticosteroid which produces a rapid response in those inflammatory dermatoses Review Prilosec | Up to 20% Off🔥 |. coupons 75% off ☀☀☀ Zanaflex Prescription 2018 ☀☀☀,Free Bonus Pills. Buy Now » buy lioresal uk Canadian Viagra Online Pharmacy proactively, independently and collaboratively with other technical and non-technical staff members to complete Xenical Order Onlinezovirax Cream Online Lowest prices for Generic and Brand drugs. Bonus 10 free pills, discounts and FREE SHIPPING. Cheapest drugs online - buy and save money. Brigsby Bear,” the story of a man who was abducted as a child, found, and then embarks on a mission to recreate his favorite childhood TV show, comes about halfway into the film.

Aubrey, played by Ryan Simpkins, the newly acquainted teenage sister of former abductee, John, played by Kyle Mooney, receives a call from one of her friends asking to speak to him instead. Before she begrudgingly hands over her phone, she specifically demands that John not mention his age— an issue that the film largely avoids outside of this moment. As the film rolled on, the reasoning for this became evident. “Brigsby Bear” is an ode to geeks. And not just any geeks: the man-boy variety.

In its setting up of a world where being obsessed with child-themed entertainment such as vintage toys, comic books, and TV/film programs with complex universes (i.e. Marvel, Star Wars, etc.) as an adult is okay, the film fails to be taken seriously for its attempts to make John into a sympathetic character.

Undoubtedly, by being captured and deceived his entire life, John is a clear victim of circumstance. But outside of the initial shock of being told the truth of his existence by a detective, played by Greg Kinnear, John isn’t too concerned about it. In fact, he follows up the news by asking about the fate of Brigsby Bear: the elaborately produced, multi-season TV show, with accompanying franchise and merchandise, that his captors created just for him.

John’s lack of concern about his overall well-being is further evidenced later in the film when he visits his captor father in prison, played by Mark Hamill. Instead of using the moment to get answers, he uses it to foolishly obtain voiceover for his new Brigsby Bear spin-off movie.

The biggest disservice that “Brisgby Bear” does, through its attempt to make a comedy of John’s ‘coming of age,’ is by not delving into the rich complexities of human trauma that it presents.

Because the film doesn’t respect its given circumstances, its comedic elements come off as strained. In peddling the film’s main gag device of John getting to know the world for the first time, as an outcome of him hanging out with his sister’s friends, he adopts their obnoxious catchphrases like, “shit is dope,” and uses them inappropriately during conversations with other adults.

What makes this even more ridiculous and unfunny, outside of the fact that he’s far from teen age (I assume he’s about 30), is that he’s obviously mature in mind. This lends itself to the film’s second biggest flaw, which is its plausibility.

For someone who was raised in a cave his entire life, with no other human interaction besides his captors, and a TV show as education, John is awfully well-rounded and articulate.

One could actually argue whether bringing John out of captivity to begin with was the best thing for him. Besides, the film doesn’t bother to question this.

Like it or not, there are reasons why geeks, especially adult ones, aren’t considered cool.

“Brigsby Bear” actually highlights many of these reasons. But that doesn’t mean that a great, universal story can’t be told about them.

In order to do so, however, there must be a firm acknowledgement of how pathetic they appear.

Through John and his journey, the film instead spends more time trying to elevate geek culture to hero status, and the results are laughable.

About Mikal K. Odom 20 Articles
Mikal K. Odom is an out Philadelphia-based, multi-talented African-American director, screenwriter, producer and actor of film and stage. His first feature, LUV DON'T LIVE HERE, premiered at qFLIX Philadelphia 2015 and won the Audience Award for Best Feature. It is distributed by Breaking Glass Pictures and online. He is currently writing his second original narrative screenplay.

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