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queerVOICE
Pride 2010 Epilogue James Duggan
copyright 2010
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This year for Pride I had the privilege of marching
with Congressmen Joe Sestak (D), the U.S. Senatorial candidate for Pennsylvania. I
must say he was a bundle of energy running from curb to curb, shaking as many
hands a possible, and introducing himself to the crowd. The impression
was a good one--he was being well received by our community.
It does my heart good to know that I have been a
supporter of Sestak even before he decided to run against Arlen Specter for the
Democratic nomination. In fact, QUEERtimes openly called Sestak to run
against Specter. Now it's fun to watch all the Specter supporters in our
community climbing on board and maneuvering to get close to Sestak. No
judgment here--just an observation.
Quite frankly, we need all the support possible to
stop Pat Toomey (R) from getting elected. Toomey, if you do not already
know, is to the right of Rick Santorum! Need I say more?
On another topic, Philly Pride should be applauded
for the great work they did on the parade and festival this year. Their
hard work and good efforts shown through even as the rain began to fall. But it
could not dampen (pardon, the pun) the spirit of the day.
The Philadelphia Police Department Civil Affairs
Unit should be ashamed of itself for allowing the protesters to literally set
up at the main entrance of the festival forcing every person attending the
event to be subjected to their hatred. These protesters, disguised as
street preachers, spent the day telling us how evil we are and how, unless we
repent of our homosexuality, we will be going to hell.
This group, lead by Michael Marcavage of Repent
America, was permitted to set up their protest forum within 10 feet of the main
entrance with the use of load speakers forcing their message upon all those who
attended.
What is wrong with the Philadelphia Police
Department Civil Affairs Unit that they would disrespect citizens and force protesters upon us? For the life of me, I do not understand their
position.
In most cities and municipalities in the state, the protesters are kept at a respectable distance from events. A distance
that does not hinder the free speech of any protester. But here in Philadelphia, when it
comes to the queer community, the police department smiles at us while at the
same time they smack us in the back of the head.
Perhaps it's time for new leadership in the Civil
Affairs Unit because they have proved themselves to be anti-queer while the protesters are given more rights than us.
Perhaps it's time to stop saying "don't engage the protesters" and start standing up against them and a police department who
seems freely to facilitate them.
We now have until October to make our voices
heard. In October, we will celebrate National Coming Out Day in Philadelphia. The police
will surly set the protesters up inside our festival to the detriment of
vendors and event attendees. They will surely try to march the protesters
through the festival while, at the same time, physically pushing people out of
the way. This should not be tolerated or allowed.
Organized demonstrations should be kept at the
perimeter of any event and any attempt to parade them through such an event
should be "peaceably" blocked.
Where are our community leaders on this
issue? Ignoring the protesters and not "engaging" them is not working.
The Philadelphia Police Department and the city has proved that they could care
less about our rights when it comes to our gatherings.
We can no longer stand by as our rights to
peaceable gatherings without the disruption of protesters are ignored.
Shame on us for remaining silent on this issue, and
shame on our community leaders who have been willing to turn a blind eye about
this issue.

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What It Looks Like From Here Thom Cardwell
copyright 2010 | 
Queer
at college has dramatically changed since the days when I spent four years at
my alma mater along the beautiful coastline of Maine.
It was the 1960s at an all-boys private undergraduate school where the
policy was almost beyond "don't ask, don't tell." It wasn't until I arrived in
graduate school in New York City
two years later that even some of my former college buddies, including a former
roommate came out to me.
Nowadays
not only are there student centers specifically for gay, lesbian, bisexual,
transgender, queer and questioning students at such prestigious institutions of
higher learning as University of
Pennsylvania (U of P)and impressive
queer studies programs at Duke
University but schools that are actively and aggressively reaching out to
high school students who have already come out of the closet.
In
their annual spring educational supplement, The New York Times (April 18, 2010) devoted a feature article on a
college fair that took place at the Lesbian, Gay, Bisexual and Transgender
Community Center in New York City sponsored by Campus Pride (CP), a national organization that identifies and
promotes "safe environments for gay students" explained Shane L. Windmeyer, one of the CP's co-founders.
While
most of the Ivy Leagues schools have taken the lead in creating safe havens for
educating queer students, such college fairs are beginning to attract many
lesser known colleges that want to expand their admissions policies and
offerings.
"The
more I can help my institutions be open to diversity at all different levels,"
said Scott A. McIntyre, associate director of admissions at Indiana University-Purdue University
Indianapolis, "it's just going to make us a stronger university and it's going
to make our student body be more robust."
Windmeyer
said that queer "students are looking for colleges where they will feel
comfortable and safe" and "straight students who have gay family members want
to find a campus that is welcoming."
"Students
are finding out that not only are they not being discriminated against for
revealing their sexual orientation in their applications, it may be an extra,"
commented Rachel Pepper, author of
"The Gay and Lesbian Guide to College Life,"
When
"Inside Higher Ed," an online publication reported the new outreach policies
for queer applicants at U of P where the admissions department puts them
directly in touch with queer students and organizations on campus there was
something of a controversy. However, U of P's dean of admissions, Eric J. Furda, defended the policy stating
that the school "was doing for gay applicants what it has long done for other
groups. "We are speaking to students on the areas they are most interested in,"
he said.
While
some schools like Dartmouth
expressed concern over issues of students' privacy with the U of P approach,
the University of Southern California
goes even another step further by offering queer students a "Rainbow Floor
Overnight Experience," on a queer floor of one of their residence halls and a
day visiting their host's classes and student organizations."
This
year "The Princeton Review," which
surveys 122,000 students on a variety of topics for its "Best 371 Colleges:
2010 Edition," has now added a ranking of colleges where the queer community is
"most accepted." Ranked in the number
one place was New York
University.
While
Campus Pride is planning on conducting its own survey on ranking colleges
according to how queer friendly they are, McIntyre offered a note of
practicality when choosing a college to attend.
"What's
the best college I can get into" is no longer the question, he suggested, but
"What's the best fit for me?"
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 | speakOUT Tommy Up copyright 2010
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Sabina Rose O'Donnell
 | "Relief & gratitude
aren't strong enough words to explain the feelings today," Tommy Up told the
media, his friends and the many supporters of the search to find the killer of
Sabina Rose O'Donnell.
You guys did it. The support from the community
and the banding together of family, friends and the police that has taken place
over the last two weeks have been a phenomenon.
Sabina Rose O'Donnell's killer has been caught and
has confessed to the crime. I won't get into the details of the person who did
it. You can catch that on the news. But he is 18 and he is considered an adult
and a tip led to his arrest.
I'm sitting here right now typing this with a check
for $25,000 in my left pocket waiting for the gentleman from the Citizen's
Crime Commission to come pick it up. That's $25,000 that didn't exist two weeks
ago. $25,000 that you helped put together. It's the best money that's ever been
spent.
Beyond that, money has been raised to start a
permanent memorial for Sabina to keep her spirit alive in the city and to help
make sure this never happens again.
They say God has a reason for everything. If there's a reason for this, I like
to believe that Sabina gave her life so this didn't happen to another woman
that night and will not happen to other women in the future.
Sabina was the rare type of person who would have
done that for others.
Thank you to the Philadelphia Police Department, to the Citizen's Crime Commission
and to the relentless work of the Philadelphia Homicide Department. You guys
are my rock stars. You are my/our heroes. Thank you from the bottom of my
heart.
We were sitting around at PYT yesterday morning
watching the press conference and I couldn't fathom that you guys did it. I thought
you guys were going to do it, and I started to believe you were going do it,
but it was still just overwhelming. You guys have free burgers for life!
On behalf of myself, her co-workers and her personal and even more new friends,
we will be celebrating a bit this week.
Although I know the cliché, that "this won't bring
her back"--right now it just feels really, really good to know that all of
us working together will ultimately find justice and be given closure.
Citizens
Rule! People Working Together Can Fight Crime
[Editor's note:
Tommy Up owns and operates PYT at the Piazza at Schmidts in Northern
Liberties and his long time venture, PaperStreet]
comments@QUEERtimes.net
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Thom's Arts World Thom Cardwell
copyright 2010 | 
There
are several art exhibitions devoted to queer arts, one major and unique curated
show, "Queer Voice," at the
prestigious Institute of Contemporary Art (ICA) that's
now open and runs through August 1, and two more that will open, one at A x D Gallery in Center City, and another at Ven and Vaida in Old City.
The
three exhibitions are loosely connected on a number of levels, all of them
featuring out artists, each of them, embracing, in their own way, the meaning
or essence of "queer" sensibility, not a particular easy concept to nail down,
even among the most intellectual queer theorists, and all them accepting,
politically correctly or not, the identification or word or name, still
unacceptable, even abhor ant to others, of "Queer." (I find that it's more and more an LGBT generational divide
over this issue of community name
reference.)
The
museum-scale exhibition at ICA focuses upon the "the voice as a material in
contemporary art" and, in this simply named show, the "queered" voices of Laurie Anderson, Harry Dodge and Stanya Kahn, Sharon Hayes, John Kelly,
Kalup Linzy, Jack Smith, Ryan Trecartin
and Andy Warhol. The presentation is
instigated by the new technology of the 1960s when audio tape recording became
popularized and widespread. That growth and development in new technologies now
manifest itself with the voice on the internet and digital culture.
"Queer
Voice" claims to bring about a cross-generational
conversation around queer identity and non-oppositional
representations of gender.
What's
all this about, you might be asking? One way to find out is to visit the
exhibition on Wednesday at ICA,
6:30 pm, when they'll be hosting a screening, salon, cabaret and disco, it
promises to be an interesting and festive evening of queer voices of all kinds,
I suspect.
Queer
maestro of self promotion in his own right, talk show host, photographer,
painter, film maker and model, Butch
Cordova (does this man ever stop creating?), will open "Straight and Butch," an exhibition of
his own large-scale photographic prints an d canvases at Ven and Vaida, 18 South 3rd Street, in Old City, Philadelphia, with
an opening reception, July 2, 6-9 pm, and running through August 1. Then
"Straight and Butch," the film, will have its World Premiere at Philadelphia
QFest, July 14, 7:30 pm, at Ritz at the Bourse in Old City.
"Don't let the title fool you," joked director Cordova of his documentary.
Neither events should be missed!
"Queer Art?" , at A x D Gallery, 265 South 10th Street at Locust Street, adjacent to
the Gayborhood, has featured queer artists at other times, but this curated
group exhibition raises the question
about the meaning of "queer
sensibility," The show's curator Ryan McMenamin has selected a variety of media that
responses to the complex and controversial theme. Artists include: Michael
Broderick, Michael Biello, Susan Dipronio, J.D. Dragan, Laureen Griffin,
Randy Husavo, Paul Davis Jones, Doroh
Langberg, David Luni, Ashley Payne and Larry Wood.
The
exhibition runs July 7-August 7, with a special event on July 7 in celebration
with Philadelphia QFest 2010 on the eve of the opening of the 16th queer
film festival (July 8-19), who will be hosting a benefit that includes an open vodka, wine and water bar,
complimentary appetizers and door prizes. Tickets are just $20 at the door
only. Sponsors include: Smirnoff, Barefoot Wine, SmartWater, VitaminZero,
Qdoba and QUEERtimes.net and fueled by
BUCKmonkey.
I
must tell you that all three exhibitions, installations and films are really
not-to-be-missed. So, I'll see you all there!
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 | Short Films on the Qt copyright 2010
| 
In cooperation with Qfest 2010, AxD presents an evening of short
films from past festivals Thursday, June 24th at 7 p.m. in AxD gallery's library
Philadelphia, PA - Short
films are a vital but often overlooked part of a major city's international
film festival. AxD has worked with Thom Cardwell
and Robert O'Neill of The Philadelphia Cinema Alliance and QFest 2010 to
present a free screening of short films from past PIGLFFs/Qfests. We hope that this will be a continuing series of evenings at AxD gallery dedicated
to the appreciation of locally and internationally produced shorts films.
Three films will be presented on Thursday,
June 24th. After the screenings a short panel discussion will take
place where invited guests from the productions of each film will be on hand to
answer questions from the audience.
This evening of short films is free and open
to the public. A suggested donation of $5, or whatever you can spare, can be
given at the door. All proceeds go to The Philadelphia Cinema Alliance.
The lineup of films for the 24th
will be:
Tremble & Spark(2009, 24 minutes) "In a depraved and seedy underpass, a ruby-lipped beauty is brutally
strangled. Enter gutsy detective Charlie
Forest (Cathy DeBuono) who plays
hardball with sexy vixen Veronica Anderson (Jessica Graham) to uncover the
truth and ultimately solve the crime in this lurid Philadelphia film noir from local director
Kelly Burkhardt."
Kelly
Burkhardt (writer/director) and Heather Coutts (actress/producer) will be
in attendance.
Valentine's Day(2008, 15 minutes) "In this
sweet-natured romance by Mike Lemon, gay Tad and straight Todd are given a
last-minute work assignment -- complicating Todd's romantic dinner plans with
his hot new girlfriend. How these two unlikely friends come together to rise to
the challenge makes for a memorable and surprising Valentine's Day."
Mike Lemon (writer/director)
will be in attendance.
Looking For...(2009, 24 minutes) "A woman tries out the Last
Resort dating service and winds up on a hilarious string of dates with losers
including a text-messaging-obsessed hipster, a French woman who tries to give
her a stray cat and a professional dominatrix. Little does she know her ideal
match was, the whole time, right in front of her. This short from writer/star
T.J. Loughran and director Michelle Pollino had audiences in stitches at last
year's Philadelphia QFest."
Michelle Pollino (producer/director)
and T.J. Loughran (producer/writer/star) will be in attendance. Winner
"Best Short Film" - QFest 2009
"Initial interest has been high
in allowing festival audiences to see some shorts that they might previously
have missed or wish to have a second look," said Cardwell.
"We hope that the support will be
strong among both the film viewing as well as the local film making community
so that the partnership between A x D Gallery and the Philadelphia Cinema
Alliance can continue to offer such events," said Ryan McMenamin, assistant gallery director.
The screening will take place in AxD gallery's
library, located directed behind the gallery. Seating is limited, so please
arrive early.
Sponsors include: Smart
Water, AxD Gallery, Philadelphia
QFest 2010 and QUEERtimes.net
AxD
Gallery is located @265 South 10th Street
(between Locust and Spruce Streets), Philadelphia,
PA 19107 Open: Wed - Sat, noon to 6 p.m.; disabled assessable a-x-d.com/gallery
comments@QUEERtimes.net
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What They Said and Did!
copyrighted 2010
|  The
ever-adorable Ashton
Kutcher (yes, I admit that I definitely have a "thing" for him, even
though he's against "my type" or, come to think of it, maybe he's not!) is
debuting as a first-time producer of "Killers" that he also stars in with
leading lady, Katherine Heigl. Evidently, according to what he recently told
the editors of METRO (June 4-6, 2010) shooting in the South of France and then
later, in Atlanta, wasn't easy with Mother
Nature never on their side, "weather issues plagued the production" abroad and
"one of our generators got struck by lightning and shut us down" in Georgia. His
film didn't make deadlines and didn't stay within budget either. Kutcher says that acting still comes first,
and he liked playing a trained assassin. He wanted to do a lot of his own
stunts but confessed: "I did some fight
raining. I learned Krav Maga, Muay Thai and Kali, which is Filipino
knife-fighting. And then I realized that I should have learned how to
movie-fight because on the first fight scene, I knocked out a stunt guy. I felt
really bad about that. And then I kicked co-star Rob Riggle in the face. I hurt
a lot of people. I should have just let the stunt guy do everything." ______________________________ Madonna graced the cover of Interview (May 2010) as a
prelude to a 15-page photographic exotic and, yes, some erotic, images shot by
Mert Alas and Marcus Piggott, as part of the interview conducted by queer film
director Gus Van Sant. Reflecting on her viewing of "Milk," she called it a
personal "trip down memory lane." The ever-seductive looking Madonna said: "But you know, what the movie triggered for
me was my early days in New York and the scene that I came up in-you know, with
Andy Warhol and Keith Haring and Jean-Michel Basquiat and Kenny Scharf. It was
just so alive with art and politics and this wonderful spirit. So many of those
people are dead now. I think that it's one of the reasons that I cried. In
fact, the character that Richard F. Grant plays in the film that I directed "Filth
and Wisdom" [2008] is this blind professor who was based on my ballet teacher, Christopher Flynn. Growing up in Michigan, I really didn't know what a gay
man was. He was the first man-the first human being-who made me feel good about
myself and special. He was the first person who told me that I was beautiful or
that I has something to offer the world, and encouraged me to believe in my
dreams, and to go to New York
. . . he was such an important person in my life. He died of AIDS . . . ." ______________________________ The
eternal Hollywood movie star, Tony Curtis (real name Bernard Schwartz), who
has made more than 130 features, creating iconic roles in "Some Like It Hot,"
"The Defiant Ones," "Sweet Smell of Success," and "Spartacus," marking its 50th
anniversary this year, recently spoke to GQ: Gentlemen's Quarterly (June 2010)
about on living with genius, in their
mid-twenties, his roommate was Marlin Brando;
on having legendary friends like Frank Sinatra ("very into himself,
never let anyone see his weaknesses, and hard to figure out why he loved
you"); and what he learned from other
guys: "My closest friends were Jack Lemmon, Cary Grant, Burt Lancaster and
Frank Sinatra . . . Grant was the epitome of a guy. All guys knew that, even
Frank. I looked up to these guys because I saw in them the things I'd like to
see in myself. By watching them, I saw how people did things . . . how they
behaved. I didn't have the polish that they had for social graces, and that was
detrimental to me in the beginning . . . They made me feel like I was part of
an elite group of men."
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