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queerVOICE
California: Truth and Consequences James Duggan
copyright 2009
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This week the California State Supreme Court upheld
the state constitutional amendment known as Proposition 8 banning same-sex. The
same court decided to allow the existing 18,000 same-sex marriages that were
recognized by the State of California
prior to Proposition 8 to remain as valid marriages.
The action of the court clearly endorses the right
of a majority to discriminate against a minority while relegating queers to
second class status. At present, California's
same-sex couple's only legal option is to unite through civil unions.
According to many scholars, California's Constitution is a complete mess
having become one of the longest in the world; it has been amended or revised
over 500 times by the will of a simple majority of voters. This time the
majority and the court have gone too far.
I'm not going to attempt an analysis of the court's
decision but I do believe that the justices forgot to read Section 1 of the
14th Amendment to the Constitution of the United States that reads, in part: No State shall make or enforce any law which
shall abridge the privileges or immunities of citizens of the United States;
nor shall any State deprive any person of life, liberty, or property, without
due process of law; nor deny to any person within its jurisdiction the equal
protection of the laws.
This truth has not been missed by many, including
conservative lawyer Ted Olsen.
Ted Olson, the lawyer who successfully argued the
landmark Bush v. Gore lawsuit before the United States Supreme Court, thereby
ensuring the presidency for Bush II, has teamed up with David Boies, Al Gore's
attorney in the same case, to challenge Proposition 8 in federal court on
behalf of two couples under the belief that the ban on same-sex marriage violates
the U.S. Constitution. This is the first time these two opposing lawyers
of notable stature have teamed up to support an argument.
Olson and Boies argue that relegating same-sex
couples to domestic partnerships instead of giving them full marriage
privileges violates the equal protection and due process clauses of the 14th
Amendment of the U.S. Constitution. "Whatever
discrimination California
law now might permit, I can assure you, the United States Constitution does
not." Olsen stated. Their goal in filing the lawsuit "is to
advance the case of equality for all Americans, which is the promise that makes
this nation so great."
Several queer rights organizations, including the
Human Rights Campaign, Lambda Legal, Freedom to Marry, and the National Center
for Lesbian Rights, along with the American Civil Liberties Union, are not too
happy with the actions of Olson and Boies fearing that the federal courts are
not the best place to fight for our equality and that the U. S. Supreme Court
is not ready to support our full equality. They believe that this case is
"premature" and warned that without more groundwork, the U.S. Supreme Court
doesn't seem likely to rule that same-sex couples are entitled to marry.
Shannon Minter, legal director for the National Center for Lesbian Rights, explained:
"It is very risky to bring a federal marriage case at this stage of the
game, when we are just beginning to make such significant progress at the state
level," he said. "Historically, the U.S. Supreme Court is much more
receptive to civil rights issues when a critical mass of state courts have
ruled in favor of equality on a particular issue. We only have one shot at the
high court, so we need to put our very best foot forward when we ask the Court
to rule on this issue."
The groups opposed to this suit believe that it is
better that supporters of same-sex marriage in California pursue their rights
through another voter initiative or the state legislature. I
disagree. We should do both.
We do not have the luxury of turning our backs on
injustice for fear that in our challenge to it we may lose ground in our fight
for equality. This is not how the righteous battle. We who believe that
we have the right, both as humans and citizens, to full and equal civil rights
under the law should never fear the fights that we face. The simple truth
is that Proposition 8 fundamentally violates the freedoms guaranteed to all of
us by the U. S. Constitution.
The team of Olsen and Boies, along with the newly
formed American Foundation for Equal Rights, should receive our full support in
this matter.
Until this matter is overturned by either the will
of the people or the courts, I will no longer support the California economy in any way. There needs
to be consequences attached to the discrimination and oppression that has been
imposed in that state by the majority. I will therefore boycott California and all
products made there until justice is done. I would encourage others to do the
same.
Comments: james@QUEERtimes.net

Re-decorate your bedroom, help out
a great cause, AND get a tax deduction, all at the same time!!
Alexander
Inn, Philly's chic
boutique bed and breakfast located in the heart of the "Gayborhood,"
(12th and Spruce), is "sprucing up" its five stories of guest rooms
with new furnishings. So proprietor Mel Heifetz is selling off the
gently-used old furniture, and has generously agreed to turn the proceeds from the sale over to Philadelphia's HIV/AIDS
service organizations, at the discretion of the buyer.
The Art Deco inspired pieces include
nightstands ($50), 3-drawer and 6-drawer dressers ($75 and $100), headboards to
fit, twin, full, queen and king beds ($30 each), and upholstered side chairs
($35).
You can view pictures of the furniture by visiting their website,
or call 215.985.0601 to arrange to see the furniture in person. Mel will donate
the purchase price to the organization of your choice. (So, don't forget
where you heard about this great deal!)
If you are paying by check, you can write the check directly to the benefiting
organization, and receive the tax deduction at the end of the year! It's a win-win-win situation!
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What It Looks Like From Here Thom Cardwell
copyright 2009 |
Queer artist Francis
Bacon is back in the news. Fraud or genius? Art critic Jerry Saltz poses the question about
the "sacred monster" (New York,
May 25, 2009).
Despite the fact that he has been dead since 1992, Bacon's name and his art
have been in the forefront of the modern art world. During the past decade, it
also hasn't hurt his reputation and importance that prices for his paintings
have risen to unprecedented heights, with major museums as well as private
collectors from around the world vying to acquire a Bacon to call their own.
(In 2008, one of his paintings from the well-known and controversial series,
based upon Van Gogh's "The Painter on
the Road to Tarascon," was sold at auction for a record-breaking $86.3
million.)
This week the self-taught, Irish-born, queer English artist, many consider the
"greatest painter of the twentieth century," will be honored by the Metropolitan Museum of Art (the
exhibition originated last fall at the Tate Britain in London), with a retrospective of 66 paintings, never-before "source
materials" and his "signature paintings" of the 1940s and 1950s as a way of
marking Bacon's centenary.
Saltz shockingly but somewhat convincingly demotes Bacon from a painter to an
illustrator. He strips Bacon of his maturity in terms of our appreciation of
his work. "Bacon is an artist we love when young. Tantalized by the urgency,
angst, weirdness, blood, sex, and bodies, we think, That's me! That's how I
feel!," proclaims Saltz.
Reaching into the darkest side of the human condition and depicting it on
canvass ("we are meat," Bacon repeated about us throughout his career), his
life as an artist ("I am the most artificial person you'll ever meet" he once
proclaimed), a lover ("his love life is a study in emotional privation and
degradation," according to Saltz) and a gay man (Saltz quotes Bacon who called
his homosexuality "a limp" and "a defect"). It's an example of
self-hatred, self-loathing, of the worst and, at the same time, the most
fascinating kind. We are repulsed and seduced by the contradictions,
confrontations and the complexities of the experience of the images in his
paintings.
"Being in love in that extreme way, being totally obsessed by someone, is like
having some dreadful disease. I wouldn't wish it on my worst enemy," Bacon
admitted about his relationships with lovers Peter Lacy, then George Dyer, both men committed suicide while living with the
turbulent painter.
Despite everything, Bacon's vision depicts quite graphically homosexual acts in
the earliest of his paintings. The in-your-face images were clearly a public
act of defiance. Saltz points out of Bacon: "an openly gay man was painting gay
subjects at a time when homosexuality was a punishable crime in Great Britain"
and "introducing overtly queer subject matter into grand painting without
dressing it up in classicism or coy kitsch was as unheard-of as it was
dangerous."
A fictional portrayal, based upon some biographical and autobiographical facts,
of their seven years together is retold in "Love is the Devil" (1998) starring Derek Jacobi as Francis Bacon and Daniel Craig as George Dyer. The casting of the two is brilliant as
both actors bear a striking resemblance to the real-life people.
The handsome, muscular, sexy Craig, spends a lot of time in the film walking
around in his jockey shorts and appears nude, even some frontal shots, as did
the real-life Dyer, according to all accounts.
It's a film about dark souls and about creativity, success, notoriety, longing,
love, despair, isolation, disconnection, angst, what makes up Bacon's world and
art, but worth watching for the
brilliant performances alone.
For more information about the Bacon
retrospective, visit metmuseum.org
For more information about "Love is the
Devil," visit tlavideo.com
Editor's Corrections: In last week's What It
Looks Like From Here regarding Philadelphia Fashion Week (PFW) to be held in
October, Kelly Boyd and KB Consultants were misidentified in having involvement
with PFW. To clarify, Kristie Bergey of KB Experience is assisting in the
planning efforts for PFW. Kristen Insalaco of Insalaco Public Relations is
handling the public relations for PFW.
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Colin's Queer Life on the Qt! Un-Caped Crusader Colin McCullough copyright 2009
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When I was in middle school, I was fascinated with
comic books and, in particular, Batman.
I loved that he fought for justice and tranquility while dealing with
some real twisted demons.
There came a time though that I started thinking
more of him than just a symbol of good versus evil. I started to think that this make-believe
character was hot. Why all of the sudden
was I fantasizing about my body draped in patent leather, my eyes covered, and lips
being passionately kissed by a mysterious man in the middle of the night? It turns out the answer was that I am gay.
It took a couple years to accept that answer. By high school, I was less shocked over my
sexual attractions and more motivated to act on them. I moved past the superheroes.
But now who would be the object of my
affection? I could lust over sexy celebrities
that I'll never meet. But I found no
real point in that. Leonardo Deception,
even with all the "is he or isn't he" speculation, will never make me feel like
the king of the world because I'll probably never meet the man. Internet porn stars don't excite me either;
they're, frankly, boring.
So it was onto the real thing or at least as real
as it can get for a fourteen-year old closeted-kid living in suburban New Jersey. I started to fantasize about the guys in my
freshman class, all of whom, I thought, were straight.
At first, this new obsession was not drastically
different than my superhero dreams. I would
buy into their hegemony and they didn't even know who I was. But then one summer, outside the confines of high
school and staring teenage eyes, a straight boy was into me the same way I was
into him. I look back now and realize
that 'straight' was a fallacy; but, at the time, I thought I would end up as his
Robin to my Batman. We would have our
secret liaisons in our secret hiding spots, just like my favorite superheroes.
Although the spandex was missing, the latex was never far from sight.
Our hush, hush romance was not to last for
long. Just like the dazzling comic book
blockbusters that leave me thirsty for more, I would have to wait until the
next summer to get what I wanted.
However, one summer it stopped. I had come out, therefore, I became a threat
to his identity, and he fell for a girl that he spent all of his time. At time of graduation, he was still dating
this girl and they seemed, from a safe distance, to really love one another.
Of course this can prompt the question, is this guy
gay? Maybe he is. More importantly though, do I care? And no, I don't. If my pseudo-straight boyfriend did turn out
to be gay and proud, then I guess his comic book mask would be removed. He would no longer have to pretend to be a
hetero-normative Bruce Wayne persona and could instead be the adventurous queer
Batman I always wanted him to be. The
last time I saw him it appeared as if he opted not to do that.
The start of summer and the myriad of adventure
movies slated to open over the next few months made me think of this straight
guy, masked superhero connection and all.
Where I am today?
My mindset and outlook is quite different than it used to be. I still think guys are hot and superheroes
are cool. I still want an adventurous Batman in my life but the mask needs to
stay off.
Self-acceptance is
hotter than spandex any time of the day.
However, I can still get into playing Robin.
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Special Focus Blatstein's
"New Philadelphia" Thom Cardwell copyright 2009
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It's almost too easy to rhapsodize about what
developer Bart Blatstein is doing to
Northern Liberties. He opened The Piazza at Schmidts, 2nd Street at Germantown Avenue,
on his 50th birthday on May 16 with much fanfare and celebration. I was among
the 1,000 invited guests to attend what has to be one of the more lavish events
of the year.
Blatstein whose vision and passion is legendary is truly transforming an area
of the city that had become impoverished and forgotten. I was genuinely
impressive, excited and, yes, even, empowered by what I see as a "New
Philadelphia."
The founder and president of Tower
Investments, Inc., has created a distinctive "showpiece" for residents and
visitors alike to Philadelphia
on over 28 acres, at a cost of $500 million, and purported to be "the country's largest private urban renewal
initiative."
The Piazza at Schmidts, as aptly
described in the press release is "a beautifully landscaped, 80,000 square foot
open-air plaza with free events year-round, surrounded by three new buildings
including 35 artist's studios and boutiques, four new restaurants, 500
apartments and 50,000 square feet of office space in the Northern Liberties neighborhood."
"My grandfather had a pushcart at Second and Laurel Streets in the 1930s, so
I've always loved this area. My dream was to create a 'five minute neighborhood' where people live, shop, eat, work and
play, all within a few city blocks," recalled Blatstein.
His own brand of urban planning is
to offer rental properties--residential, retail, commercial and office space--to
the growing number of young professionals and entrepreneurs, and really anyone
else who appreciates this new approach to city living.
Blatstein understands and appreciates the "creative
economic" dynamic by providing The Piazza, with a 40 by 20 foot stage
and a high definition, 26 by 16 foot next generation Daktoniks LED screen, with
free festivals, concerts, dance performances and live broadcasts of sporting
events throughout the year.
"With all forms of public transit nearby, residents will have everything they
need at their fingertips enabling them to decrease their carbon footprints by
never having to use a car," added Blatstein. It's like he's got his own green
initiative and a forward-thinking look at the new economy for the next decade
for life in the city.
The Piazza, inspired by classic
Romanesque open spaces, is surrounded by: a five-story renovated industrial
building; a new six-story building, and a new seven story building with an
enclosed catwalk, all with apartments and commercial space. Completing the
layout is a seven story oval shaped glass office building with a diner on the
ground floor.
For me, the architecture is both stunning, eye-catching and contemporary, and,
most importantly, nothing you're used to
seeing in Philadelphia.
It recalls a different vibe, something foreign and European in tone style, that
you might see in Copenhagen, Stockholm
or, closer to home, Montreal.
Not surprisingly, Blatstein is already proud to boast that this complex of
buildings has received the American
Institute of Architects (AIA) most prestigious honors. It all began when
Blatstein purchased the former Schmidt's Brewery in January 2000 at a sheriff's
auction is also far from finished.
This developer's "dream come true" has still more stages to the project in
Northern Liberties. In 2011, he plans to open The Shops at Schmidts, 2nd
Street at Girard Avenue, including a two story,
100,000 square foot supermarket with an anchored retail development and The Residences at Schmidts, adjacent
to The Piazza, with 600 new
residential units in three separate buildings surrounding a lushly landscaped one
acre park area.
No joke, the city really needs to give this man a special award! Blatstein is like one of the new "founding fathers"
for the next century--discovering, creating, realizing, and sharing his
vision for a better and greater Philadelphia.



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What They Said:
copyrighted 2009 |
Queer screenwriter Justin Lance Black of "Milk" not surprisingly graces the current
double-issue of the Advocate (June/July 2009). The handsome, natural
blond, 35-year-old, Oscar winner, has really never had it so good. But life
hasn't been easy and the road to success never truly apparent. Though he did
have both drive and passion, to come out as a "gay Mormon" (living in San
Antonio) in a broken home (his father literally vanished one day, abandoning
the family) with few resources (he identified himself as a "welfare child")
raised by a mother plagued by a childhood polio. His road to writing the
award-winning screenplay was rocky, uncertain and exceedingly challenging, if
not downright frustrating. His resume wasn't very impressive so Black is the
first to admit, with his self-promoted, "The Journey of Jared Price" (2000),
described as his "soft-core porn" coming-of-age film and his stint on AMC's
Reality Series, "Gay Hollywood" (2003), he was the first on anyone's list for a
major film project. Without financial backing or even a verbal guarantee from
anyone, Black foraged ahead with the research on his personal queer hero,
Harvey Milk. Much later, befriended by Cleve Jones, then Gus Van Sant, the
rest, as we all like to say, is gay history. He's not embarrassed by earlier
projects like "On the Bus" and "My Life with Count Dracula," but he's the first
to admit: "We all have to learn from our
mistakes. It's just some of our mistakes end up on DVD."
____________________________
Rona Barrett used to be a household
name. Her legendary career in the Hollywood
industry as a magazine writer, gossip columnist, television host and celebrity
interviewer spans several decades. Nowadays she's hawking "Rona Barrett's
Hollywood: Nothing But the Truth" a DVD featuring 10 high profile celebrities
with proceeds to benefit the Rona Barrett Foundation for the Elderly Poor
(www.ronabarrett.com), featuring Cher, John Travolta, Donna Summer, Raquel
Welch and Robin Williams, among others. On queer Hollywood, Barrett told journalist Matt
Kailey (OutFrontColorado, April 22, 2009): "I
think many of them [closeted gay and lesbian actors] remain in the closet, and
it depends on their age. Those under 30 may not. Those over 50 and have never
exposed themselves would probably still find it very difficult to do so. I
personally do not believe in outing. I believe it is up to the individual. . .
.There wasn't any member of the press during my working time that didn't know
that Rock Hudson
was a gay man. But if he wasn't ready to come out and admit it, none of us
thought it was the right thing to do--to out him."
____________________________
Isaac Mizrahi is a queer icon all his own. The designer who went from haute
couture to mass marketed women's lines for Target is covering absolutely all
his bases these days. The energetic, witty, entertaining and forever busy
Mizrahi is high profile as the co-host of the recently launched, "The Fashion
Show" on Bravo, the talk show host of "Tell Me Everything" on SIRIUS XM, the
Martha Stewart Living Radio Channel, and, of course, he continues to design
clothes. Why does he pursue so many projects at once? "The minute something bores you, it's time to move on." he admitted
in OutFrontColorado (May 6, 2009). So what fashion advice does Mizrahi offer the
must-have items in your summer wardrobe? It's simple, basic and direct when
you're asking Mizrahi about clothes! "For
a man, a khaki suit is a must this summer, and for a lady, I think a really
good pencil skirt can get you pretty far."
  
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Events on the Qt! |
| May 28 to June 1, 2009 (Thurs - Mon)
Philadelphia GLBT Arts Festival
Featuring over 20 performances presented by a wide range of artists - singers,
actors, musicians, dancers, filmmakers and performance artists.
Performances will at the following Philadelphia
locations:
First Unitarian
Church, 2125 Chestnut Street Arch Street
United Methodist
Church, 55 North Broad Street 119
Arts Center, 119 South
Street
Tickets
for each performance are available at traversetheater.org
or by calling the box office at 800.595.4849.
Ticket Price:
$15 per person, $10 for students and seniors.
Opening
Night Tickets: $30per person, and $25 for
students and seniors. | |